Gavin Roach and the National Institute of Challenging Homophobia Education presents Confessions of a Grindr Addict's glorious Melbourne return.
Following hit seasons in Sydney, Melbourne, Newcastle, Edinburgh, Perth, Adelaide, Tasmania, Brisbane and New Zealand, the award-winning Confessions of a Grindr Addict finally returns to Melbourne for TWO NIGHTS ONLY!
Felix has a date. A real life meet in person date. So why is he freaking out? It’s been over a year since Felix has been on a proper d...
Gavin Roach and the National Institute of Challenging Homophobia Education presents Confessions of a Grindr Addict's glorious Melbourne return.
Following hit seasons in Sydney, Melbourne, Newcastle, Edinburgh, Perth, Adelaide, Tasmania, Brisbane and New Zealand, the award-winning Confessions of a Grindr Addict finally returns to Melbourne for TWO NIGHTS ONLY!
Felix has a date. A real life meet in person date. So why is he freaking out? It’s been over a year since Felix has been on a proper date and he can’t help but wonder: ‘What does one actually do on a date that doesn’t involve sex?’
Written and performed by Gavin Roach, Confessions of a Grindr Addict is a comical, intimate and awkward journey that follows the loveable Felix as he shares his secrets about sex, love and the odd fetish.
All profits from Confessions of a Grindr Addict will go to help fund programs through NICHE, aiming to improve the lives of LGBT youth in rural and regional Australia.
WHEN
12 & 13 June 2015
Fri & Sat at 8pm
WHERE
Gasworks Theatre
TICKETS
Standard Price $28 ea
Group (4+) $23 ea
Accolades for Confessions of a Grindr Addict:
2011 Winner of Sydney Fringe Festival’s Award for Excellence.
“Gavin’s confident writing is matched with an assured, well paced performance.” -Stage Whispers
“Fun and Cheeky…It touches a nerve with anyone who’s opened up their heart a little and hoped for the best” -ArtsHub
“Confessions of a Grindr Addict is one of the most entertaining monologues I’ve ever seen.” -WhatsonStage
“Roach himself could charm anyone, and his impish stage persona makes the artificial construct of a theatrical narrative flow as naturally as any of Alan Bennett’s seminal talking heads.” -Fringe Journal